Since its emergence, the digital photography market has gradually supplanted the traditional one. APN and digital SLR cameras entered our lives, and some people announced the death of silver-based images. This is not all lie, and yet old-fashioned images have been particularly popular in the past few years.
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Over the last months we released a variety of icon sets, tools and templates, but now we would like to release something a bit different for a change. In this post we are glad to release Photoshop Keyboard Shortcuts, a PDF-file with a handy overview of most useful keyboard shortcuts available in Adobe Photoshop.
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We all have shortcuts that are essential to our daily workflow. A majority of them are staples such as Copy (Command + C) and Paste (Command + V), but occasionally we stumble upon a shortcut we wish we’d learned years ago.
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Photoshop Masks are the cornerstone of this process. Not only do they preserve important pixel data, but they allow for the creation of flexible interface elements as well.
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Photoshop is a magical tool for digital artists and photographers, and it rules the digital imaging world. It is not just a tool, though; Photoshop is a blank canvas that invites you to perform magic with your creativity. It gives you room to creatively manipulate photos and explore the artist in yourself.
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When laid by a learned hand, brush strokes can convey a sense of energy, tactility and humanness. These qualities speak to your audience’s subconscious, whispering ideas that words alone can’t convey. In the digital realm, a website with beautiful brushwork is a welcome break from the stark precision of most corporate websites. [Updated February/28/2017]
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Adobe Photoshop is my favorite software. One of the reasons why I love it is because asides from being able to make a living creating designs from the software, I can use it to have a little fun as well. In this tutorial, you will learn how to use Photoshop to mix people’s faces or put a person’s face on another person’s head. Anyway, let us get started right away.
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As printed typography enjoys the fruits of high-DPI glory, proudly displaying its beautiful curves and subtleties, its on-screen counterpart remains stifled by bulky pixels, living in a world of jagged edges, distorted letterforms and trimmed serifs. Until display manufacturers produce affordable 200 or 300 PPI monitors, we’ll have to rely on software advances to fix these problems.
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Most people who have designed websites or apps in Photoshop will, at one point or another, have had issues trying to match colors in images to colors generated by HTML, CSS or code. This article aims to solve those problems once and for all. So how can we achieve color management that matches colors across multiple devices? [Updated February/28/2017]
In the print world, color management typically involves calibrating your entire workflow, from scanner or digital camera to computer display to hard proofs to the final press output. This can be quite a tall order, especially when the devices use different color spaces — matching RGB and CMYK devices is notoriously hard.
When designing or editing for TV, calibrating the main editing display and using a broadcast monitor are common; these show real-time proof of how the image will look on a typical TV in a viewer’s home. In such a scenario, color management offers many benefits and is highly recommended.
When building Web and application interfaces, the situation is a little different. The final output is the same device that you’re using to create the artwork: a computer display (putting aside for now differences in gamma between Windows, OS X prior to 10.6 and the iPhone, which we’ll cover later.)
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Photoshop and Illustrator, as we’ve all come to realize, have revolutionized contemporary design and illustration, unleashing the creative potential of artists the world over. Through this tutorial, we’ll take you through process and technique, from sketch to Photoshop to Illustrator, so that you can learn skills to complement your ample creativity! [Updated May/02/2017]
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